Quidditch Through the Ages by Kennilworthy Whisp

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The first inside page shows the students who have checked out the book from the library including Oliver Wood, Fred Weasley, Hermione, and lastly, Harry, as well as the nameless threat which would befall anyone whom damaged the book by the librarian. Praise for the book, among them Lockhart, and Whisp relating in his own words, of being a fanatic of Quidditch, having written three other Quidditch-related books, in his spare time and when not at home, following the Wigtown Wanderers. Dumbledore again providing a Foreword which relates how popular the book is at the library, then speaking of Comic Relief and the equivalence between pounds and Galleons (the exchange rate must being shit for having not changed from Fantastic Beasts, but in dollars being a difference of 100 million and Galleons still only being 34 million; weird. Another odd thing is Dumbledore is aware of Rowling, hwhaaat?…). Dumbledore continues by relating the librarian’s reaction to giving up one of her books and how to treat the text with care, jinxes a possibility to deal with if one doesn’t.

The first chapter deals with the process of coming to decide to fly upon a broomstick, Animagi having to deal with the animal’s instincts, whilst levitation not being satisfying enough. The question of why settling on broomsticks is pondered over and answered, being due to a broom an easily explained item to Muggles, but the bewitching of one wasn’t as cut and dry. Whilst the practice had been around for awhile, the comfort of the rider suffered at first, due to brooms being homemade and the spells simplified. Then, when broom-makers were utilized for services, riding became more than only transportation.

Broom sports were developed quickly upon the upgrade of brooms, some of the games no longer played or changed to those currently known; One from Sweden being the annual broom race, Shuntbumps, a sort of jousting game still popular among children, and Swivenhodge a tennis game, not particularly popular but still played in England. The last not technically mentioned originating from Queerditch Marsh and has snowballed in fanboys of the sport. First knowledge of Quidditch was gained from a witch’s journal referencing the sport in the 11th century, she disturbed whilst it was played on the other side of the marsh, annoying her, but watching them after awhile, all whilst ragging on them. Whisp considers some of the players mentioned, possibly a Scot implementing an idea from his own people’s sport. Talk died until one hundred years later by a wizard from Britain whom wrote to his cousin in Norway about his team winning. Whisp then mentions the Golden Snitch not getting added until the 13th century in an odd way.

Background of the Golden Snidgets origins are given, it currently a protected bird. Wizards used to catch them in varying ways, but commonly the Snidget would be squashed by hand, the sport not being looked down on until the middle of the next century: 1300s. Then the first game with Snidget is relayed by a witch writing to her sister, she having fouled the game up by releasing the Snidget away from the field, and being fined by the Minister of Magic at the time, but other birds were caught and killed in future games. A wizard then invents the Golden Snitch as Quidditch teams searched for a suitable flying replacement, the sport complete.

In the 1300s a wizard fully describes Quidditch as well as the best hours and locations to play. The areas chosen becoming such an issue, laws were passed to dissuade games being near towns or Muggles. Instances of breaking up teams for not going along with the rules are also detailed. The issue has since been handled due to designated stadiums now being used for tourneys.

The differences in Quidditch since the 14th century starts with the pitch, it first being oval, five hundred feet across, one hundred and eighty in width, and a two foot circle in the center. The referee sets up the balls in the center with the teams standing around him until the Quaffle is released, goal posts being baskets, but changing in 1883 to the current goal posts. The change was handled poorly by fans, but the Department of Magical Games and Sports saw the practice of basket sizes varying unfair to the players. Next, the Quaffle is shown to have been used since the beginning, but is now charmed for easier catching, as for the Bludgers having used to be rocks, some teams used metal balls. A story is then related of a Golden Snitch having invaded capture so long, the teams gave up, the Snitch still at large, and the story being unconfirmed. The role of the Keeper also had changed, they acting like the Chasers, as well as having their goalie duties. The Beaters role remained unchanged whilst the Chasers now had a new rule to follow so as to discourage bullying the Keeper, the reaction of fans being similar as before. The Seeker’s position, whilst sought after, is also marked for being the most injury-filled, their talent also leaving them as targets. Rules of the game are listed, as well as seven hundred fouls, all of which had been called at the first World Cup in 1473. Referees are lastly listed where it describes how dangerous the position was until security got tighter on broom tampering, it also mentioning the extensive training to be passed only by the Department of Magical Games and Sports.

Next is a list of teams including Britain and Ireland, which before showing, is told of a certain amount of games being allowed by professionals to participate in, and rules for amateurs to obey. Back in the late 1600s, if a team wasn’t invited to join the League, they were requested to break up. The thirteen teams deemed the most talented compete every year for the League Cup. The list is shown alphabetically as follows: Appleby Arrows, Ballycastle Bats being the second team to most having won the Cup, Carephilly Catapults, Chudley Cannons being underdogs for quite awhile now, Falmouth Falcons, Holyhead Harpies being one of the oldest teams playing, Kenmare Kestrels, Montrose Magpies being the record holders for wins, Pride of Portree (the Prides), Puddlemere United being the oldest team founded, which was 1163, Tutshill Tornados holding the most wins back to back, it being five, as well as their Seeker’s record of fastest Snitch catching at three and a half seconds, Wigtown Wanderers, and Wimbourne Wasps, concluding.

It’s told how Ireland seemed to have excelled and played the game the longest, 1385 having been the year where written confirmation of a game having been played is shared. By the 15th century, Norway, then France learned of the game, and then in 1473 the first World Cup is played, the reasons other nations not joining speculated upon. It was also shown to have the most violent game witnessed between Transylvania and Flanders. From the first World cup, they continued every four years, in the 17th century, other nations began joining and then in 1652 the European Cup was initialized and games were held every three years. Then, the most favored European teams are mentioned. New Zealand first witnesses Quidditch in the 17th century when European herbologists were seen playing the game, whilst Australia catches on a century later, but became masters of the sport in their own right. Africa also became talented contenders, not only in the All-Africa Cup, but the Quidditch World Cup, as well.

North America knew Quidditch in the 17th century, but due to the high-profile knowledge wizards were dealing with due to Muggles at the time, the blossoming of the game was quashed at first. Canada later on became quite a spectacle in regards to a couple of their home teams. The U.S., meanwhile had a game called Quodpot which was founded in the 18th century and distracted focus from churning out some decent Quidditch teams. Quod fails to be as entertaining as Quidditch, though despite having gotten minor popularity in Europe, as well. The U.S. caught up eventually, two teams having been internationally ranked: one from Massachusetts, and the other from Texas. South America also became Quodpot lovers more than Quidditch, but Peru became experts in Quidditch, recently. Asia is the least interested in Quidditch, what with flying carpets taking precedent, some popularity only popping up on the streets. Japan though, has shown increased interest in the last century and even began participating in the World Cup.

To make broom riding easier, a Cushioning Charm was developed in 1820, the next issue being the hand-made brooms, most of which were nicely designed, but didn’t have the agility desired. Twenty two years after the first broom to gain popularity was made, the second was produced, but like the first, only one person had been making them, and so wasn’t easily accessible, until twenty five years after, a trio of brothers mass producing their style of broom which blew up among Quidditch players, everyone riding one. Then only three years later, the competition stepped up, improving the braking capabilities. By 1940, more companies joined the ranks of better quality brooms, and in 1967 the Nimbus company was born, breaking all barriers for being the best.

The last chapter contains certain moves invented by players, like the Sloth Grip Roll, where one dangles upside down off their broom to avoid a Bludger. The book ends with the fantasy of the first witch to have seen Quidditch, would’ve been impressed with the developed game and would enjoy watching the most recent developments of the game, as well as the hope of continuing to better the game through the years so future wizards and witches can be entertained.

Not a bad side-story, but Fantastic Beasts and Where to Find Them by Newt Scamander was better. The book is so easily read though, it doesn’t affect being able to move forward to the rest of the series upon finishing. To the next!

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The Island of Doctor Moreau

The introduction may well be a part of the story which tells of the ship which crashes onto an island in the beginning of the year in 1888. An Edward Prendick, the uncle of the one writing the introduction is picked up by another small ship. His story was so wild it made him seem mad and couldn’t remember anything before escaping the Lady Vain, the ship which crashed. The following story was apparently found among his possessions by his nephew. The coordinates recorded proved it led to an island uninhabited and with only a few odd animals residing there. We then discover the Lady Vain began her journey in Africa along with the Captain John Davies and a variety of animals aboard, missing for eleven months until his uncle reappeared where the ship had crashed, the beginning of the tale being his uncle’s recollection.

Prendick first gives a more updated look into what the rumors before had put forth; all men on the dinghy who survived the Lady Vain, had perished, which he clarifies is untrue since he survived, also there were actually only three who made it to the dinghy. Then he describes what happened to a man whom tried to reach the dinghy, not making it back above water, which in his opinion was better for both sides, for not having enough supplies to keep four men alive. They stayed without water upon the little dinghy for eight days, soon having crazed thoughts, when Helmar voiced an idea to the others. Helmar’s idea, whilst agreed upon now had to be acted on, which needed the four to draw “straws” to see who would be the “lucky” one. The strongest sailor aboard had the “honor”, but was stubborn against agreeing, attacking Helmar, the both falling overboard. Not long after a schooner passes by and takes him aboard where they give him some drink and he meets a man he only recalls the eyes of, believing he was having a nightmare, until seeing him again.

Next Prendick is aware, is of the man taking his vitals in a small room, the both staring at the other during this process. The man asks Prendick if he’s alright, he replying to the affirmative, his eyes questioning. The man proceeds to inform him of how he’d been found, stating the captain of the ship they were currently on and how the man, himself was a passenger as well from one of the places the ship had stopped. Noise keeps coming from above them, with Prendick soon hearing someone else insisting on whomever is growling to “desist”. The man who’s been tending to him goes on to mention how he’d injected him and had also recently given him a substance which had made him feel stronger, if not tasting to the consistency of blood. He also found out he’d been senseless for almost two days. He then learns he’ll soon be fed and meanwhile the man wanted to know how he’d been stranded on the little boat by himself, not getting an answer for being distracted with the howling dogs outside and sounding like he was violently responding to whomever he was talking with, who in turn, didn’t sound as if he was speaking intelligibly.

When Prendick returns, the man enquires again, to spur him on with his story, he starting with his name and line of studies, the man seeming interested, but veering his conversation back to the boat, soon satisfied with Prendick’s answer, talking of the city they both knew and then looking in on the cook who was in charge of Prendick’s meal. When the man is on his way out, Prendick inquires of the growling sound, but the man withdraws without answering, returning with his meal and Prendick distracted by his hunger, not questioning again. When he recovers enough to walk around and go above-deck, we learn of the man who’d been nursing him was called Montgomery and lends him some of his clothes to wear for his own were thrown overboard, but Montgomery’s frame was larger and so the clothes loosely fitted. Prendick asks where they were headed and Montgomery supplies the captain plans on going to Hawaii, but will first stop at the island Montgomery resides, once he finished dressing, they both leave the cabin.

On their way out, Prendick is confronted by the strange looking man he’d heard Montgomery talking with earlier, noticing his odd behavior and movements. When Prendick had beheld his face though, it was grotesque and familiar to the point of confusion as to where he could have possibly seen him before. He continues on, seeing some caged animals, then seeing the black-faced man being followed by a red-haired man, he giving him a blow which knocks him over and upsets the muzzled dogs around him, satisfying himself. Montgomery addresses the man as captain, and complains to how he’s treating the black-faced man, him being a guest on-board, the captain disregards his statement, going on to express his regret in ever agreeing to take him or his animals onto his ship, continuing with threats to the black-faced man if he comes a fore ship again, Montgomery seeming to get into a state of a dangerous mood. Prendick tries to defuse the situation, taking the verbal abuse upon himself and being reminded of his unpaid passage on the ship, but at least dispersed the possibility of a quarrel.

Prendick continues to wonder of what Montgomery is all about and why he had all those strange animals with him, especially as he notices how the second-mate also seems sullen to be friendly with him. They were now within a distance of Montgomery’s island and were continuing their voyage closer as Prendick and he discuss London. Prendick was also going to thank the man for saving him, which Montgomery declines with words it was purely chance he was even moved to doing so at all, soon hinting at how he’d become separated from his home of London eleven years previously. He then decides to say no more, which Prendick doesn’t push, since he isn’t curious, soon noticing Montgomery’s attendant once more, leaning nearby and Prendick becoming spooked by his oddly illumined eyes. After, Montgomery suggests turning in, which they both do, going to their cabins. Prendick is awoken by shouts and the throwing of objects, then notices the change of direction of the ship and a wave going over his port-hole. Dressing to investigate further, he goes to deck and is blocked by the captain, who is “throwing” all the animals and soon Prendick, as well, overboard. After thinking Montgomery would be able to accommodate him and being wrong, he begins to despair and once upon the little dinghy, was set adrift, too hungry to feel optimism at his isolation yet again.

When Prendick had calmed, his situation changed as well, Montgomery, once they were setting to leave for the island, made it so Prendick’s dinghy could be towed along with them, due to Prendick’s drifting aimlessly. When Prendick began to stare at the other men who were with Montgomery, he had a feeling of disgust instinctively, not knowing why and as they got closer to the beach another strange person awaited them to help dock them to the shore. When Prendick steps on land, a grey-haired man becomes more interested in him once he uncovers Prendick has gone to university and studied with a man of high repute. Montgomery then asks for Prendick’s help to get some rabbits ashore and once this is done is given some food to revitalize his weakness as they go to the house.

Prendick follows the llama to its enclosure and this is where the grey-bearded man and Montgomery decide where their “uninvited guest” will stay, knowing he’s a man of science, but not knowing if he can be brought into their confidence, they decide, and Prendick agrees to whatever it is they land on, being he’d stay in a room of Montgomery’s. Prendick is shown to the room, with the only other door locked for convenience and then upon Montgomery leaving the room we hear the name Moreau for the first time, being called by Montgomery, which Prendick seems to recognize, but forgetting where he’d heard it before. Prendick continues to ponder about the attendants with their odd voices and speech when Montgomery’s attendant comes in with refreshments and getting a closer look at him, reminds Prendick of where he’d heard of Moreau before, which was in a pamphlet to do with horrific research with animals, having his laboratory closed and being no longer able to work in London. Prendick then figures out the reason for the animals would be for operating upon, also having smelled antiseptic, but still not sure what reason there could be for this.

Later, Montgomery brings another meal, informing Prendick he’ll lunch with him, but Moreau would have to take a rain-check. Once Prendick mentions his recognizing the name, Montgomery confirms if he knew the name in some way, he’ll most likely be able to deduce some of the secrets they’ve kept from him. Prendick then goes straight into asking about Montgomery’s attendant and why he looks the way he does, Montgomery not realizing it was so obvious the attendant had odd attributes. Montgomery doesn’t confirm or deny anything, but also not giving any indication he realized the strangeness of the attendant, Prendick not wanting to call him out on his trying to deceive him, so they finish their meal, whilst listening to the operation of the puma in the other room, hearing its screams. The loud pain of the puma continues and Prendick soon leaves the house in search of more quiet accommodations.

Prendick makes his way into the strange tree-bespeckled forest behind the home. He locates a comfortable place to rest and begins to meditate, wanting to think more on the oddness of Montgomery’s man, but unable to for the tranquility of the environment easing his mind. After a small amount of time dozing, he notices a man drinking from the nearby stream and walking like an animal. When Prendick moves to get a better view, he’s heard by the man, who slinks off back the way he’d come, the both staring at each other for a prolonged period before and whilst his retreating. Prendick’s calm state now being ruined by this meeting, he starts to comfort himself with the idea the man most likely wasn’t a savage since he’d been wearing nice enough clothing and drifts to other thoughts. Prendick makes his way across the stream in the opposite direction of noises which sounded like the puma. Prendick notices an odd looking fungus and then a torn apart rabbit and thinks of the strange man he’d witnessed earlier. He then decides to head back to the house when he sees three human figures in a clearing. One being female, this group was only adorned with loincloths and had disturbing facial structures.

Prendick wasn’t noticed and believed it was because one of the men was speaking to the others, soon all three are chanting and getting charged up. Prendick decides to make a calculated exit away from the trio, coming to the conclusion of though they were human, they seemed to have hog-like attributes. When Prendick believes he can move more quickly, he then notices the man he’d seen at the stream was following him. Prendick faces the fear of confrontation and approaches him, asking who he was, but only receiving a non-related answer as the man moves away from him. He then decides to leave him be since night was falling and he’d rather be back at the house with the noisy puma than stuck in the dark forest. Soon though, Prendick begins hearing and feeling as if he’s still being stalked, but unsure of whether he’s being paranoid, realizes this distraction of listening for the noise of pursuit had turned him around, but also begins noticing the crash of waves. Though now being definitely followed, Prendick arms himself with a rock and makes a run for the area of the house, the creature following him now seeming to have dark intentions. Prendick, having the opportunity to defend himself and making good a blow to the body which falls face down in the water, he then hearing his name being called, goes into the house.

Prendick gets closer and hears Montgomery shouting for him from his room and when Prendick responds, Montgomery mentions how they’d remembered to check on him only half an hour earlier and couldn’t believe he’d gone exploring without informing them, now concluding he must’ve met some of the “curiosities” in the woods. Prendick insists on knowing what kind of creature had been chasing him, despite Montgomery’s deflective answers and being supplied with the name of the creature, which doesn’t contain much of an explanation and after Montgomery offers a sedative to help Prendick sleep, which he willingly accepts, he next waking well into the day. He partakes of the food he observes on the table in his room and Montgomery checks on him only long enough to relay he was quite busy and leaves him, Prendick noticing he’d forgotten to lock the door and also after recognizing a human was this time groaning and crying nearby, prompts him to go out into the normally locked yard and sees a brief as well as confusing sight before being thrust back into his room by Moreau. After hearing a broken conversation between Moreau and Montgomery, Prendick figures he’s in more danger than he considered.

Prendick is now putting together, with the fact he’d seen a human being the subject of Moreau’s experiments, the creatures he’d been running into must be apart of Moreau’s pastime, as well. Prendick makes a feeble weapon from a bit of chair and when he goes to the door and discovers Montgomery coming to lock him in, runs toward him swinging his non-threatening weapon and running around a side of the house, Montgomery yelling and chasing after him, seeming to be trying to explain. Prendick runs off in a right angle from where he previously explored, noticing he was no longer being followed and resting in “shelter of a cane brake”. After some time he hears Montgomery shouting his name faraway northward of him, which sets him into figuring out his next course of action. Realizing his pathetic weapon against the firearms of Montgomery and Moreau had the baring of uselessness he then notices his hunger, recognizing the futility of his trying to escape, but once hearing the sound of baying, sets off towards the noise of the sea.

After crossing some thorny brambles and across a stream, Prendick waits an hour to be certain of no more pursuit, thinking of the lengths he’d go to in taking his own life rather than giving up, believing he’d go through with it at the moment if he weren’t so curious to reveal how this weird situation would play out, then he sees “a black face watching” him. Prendick recognizes him from the day they docked. The creature soon tries to speak to him and then Prendick figures out he’s confiding in him how they’d met, he agreeing. The creature notices the number of fingers on his hand, which Prendick doesn’t know why he’d be so interested about as of yet, but distinguishing not all Beast People have all their fingers. Prendick then asks where he could get food, the creature leading him to the “huts”. Prendick tries to ask questions to help him learn more of the creature and the island, but doesn’t get much further than knowing the creature had been on the island for three fingers time, not giving a clues as to whether it was months or years, so Prendick gives up, realizing the creature seemed bored and leads him to where the creature called home, it smelling like an ill kept “monkey’s cage.”

When they’d arrived, Prendick is startled by another mutilated being, in similarity of action to a sloth, his guide having disappeared for a moment, giving him a chance to appraise his surroundings, the creature reappearing to beckon him into a lean-to where another creature awaited to meet him, Prendick for a moment thinks of fleeing, but decides to follow through with his “adventure”. Prendick enters and takes the coconut given him by his guide, trying to act calm whilst feeling dread. The guide soon is excited to make it known Prendick is a man, exactly like he, being told to be silent by another voice not seen. The voice enquires whether Prendick will be staying which he confirms, then being told he’ll have to learn the “Law”; it being a simple one if one’s not a baby or animal then proceeding to chant more requirements of etiquette. Prendick is fighting not to laugh or show disgust, copying the group, then chanting another bit of mysterious bunch of rules about whomever they follow. After this, his guide mentions how Prendick also has five fingers like himself, bringing the creature Prendick couldn’t see clearly forward enough to get a look and feels his talon-hoof, horrifying Prendick more, also seeing his face was hard to identify most any features.

After, Prendick is witness to a repetitive confirmation of the creatures being forced to deny their animal instincts, all the whilst Prendick bewildered, but trying to match the group’s fervor of the litany. It’s interrupted when some of the group go outside and Prendick hears a yelp from a stag-hound, still inside the hut. When he does finally go outside to see what the excitement was about, he sees Moreau come out from the trees. Prendick estimates his best route of escape, but when Moreau cries for the creatures to catch him, Prendick still has a few seconds before they realize they are meant to stop him, but soon Prendick does have to fight back to make his way out and when he gets to a steep slope and hears his pursuers following, he also believes he hears Montgomery, who was with Moreau, shouting for him to run for his life. He gets away a bit further before falling down a precipice and minimally injuring himself, hoping he’ll run in to the sea in the direction he chose so as to have a proper way of drowning himself if necessity called for it. Prendick discovers a stream which was boiling hot, but also detects the ocean, as well, now not feeling so desperate as to end his life, but also realizing he’s unequivocally on his own, for not being able to trust the Beast People.

Prendick makes his way down to the beach noticing the small crustaceans who moved out of the way as he walked along. When he reached the shore he then considered how he’d be able to circle around to go back to the main house where Montgomery and Moreau stayed to locate a weapon of some kind whilst they were out, considering this a good possibility and began walking in the direction he believed it would be. After walking a short time he sees Montgomery and Moreau, plus some others break through the foliage on to the beach far ahead of him, stopping him in his tracks. When the group sees him, they advance in his direction, pushing him to the only area they weren’t blocking him from, into the ocean. Montgomery gets close enough first to ask him what he’s doing. Prendick threatens he’s going to drown himself, Montgomery then asking why, Moreau having come close enough to hear, as well. Prendick explains he refuses to be tortured by them, knowing they would eventually try to experiment on him and not wanting to be turned into one of the Beast People. Prendick goes on, soon speaking to the Beast People themselves about how they are perceived by Moreau and Montgomery, now they trying to drown Prendick out so the Beast People wouldn’t be able to hear the possibilities of revolt Prendick tried to make them realize. Moreau then forces his peace in, expressing to Prendick he can say what he wishes after, he consenting. Moreau continues with bad, schoolboy Latin, trying to get his point across and convince Prendick to come ashore so he can explain more thoroughly and if Prendick does go any further in the water he will be eaten by sharks. They come to an agreement involving Prendick having two of their revolvers, with them going towards the trees and waiting at what Prendick might deem a safe distance to come in from the water, after a short time of quibbling about how it would be done and getting a few more answers to Prendick’s questions being given in relation to why they had chased him so relentlessly, Prendick follows them and they go back to their compound.

When Prendick and Moreau had taken sustenance, Moreau begins to explain, but not before making clear he would thereafter be done explaining himself and Prendick could threaten suicide for whatever reason with no batting of the eye from Moreau, even if it did put him out in some way. After he had made Prendick confirm the creature he’d heard in the adjoining room was a puma, he explained the nature of his work, without Montgomery since Prendick didn’t want to be stuck in a confined room with the both of them. Moreau assures Prendick how the creatures he’d met had not been human, but only had experimental surgery done on them. Moreau also mentions how these surgeries were done in more barbaric ways in the past with dwarves and how Siamese twins could also be included, then relating how Victor Hugo wrote of it in, The Man Who Laughs. Moreau then goes on how one could theoretically transplant tissue, blood or reconstruct the limbs of the animal, he claiming to be the first in taking part in these surgeries, but then says others have applied this technique as a last resort and without being medically trained, unlike himself. When Prendick points out the creatures were able to speak, Moreau regards most animals, with the allowance of the surgeries, could be taught to speak. Moreau also answers why he’d chosen to model the animals new forms to humans, he claiming it was purely by happenstance, also revealing he’d tried other forms.

Prendick voices how he still doesn’t understand why he had to go to all this trouble and how he can defend his reasons for putting the creatures through pain, Moreau believing Prendick to be a materialist due to their differing viewpoints on the idea, trusting Prendick’s empathy being a part of his relating to animal instincts, viz. sin. Moreau proves his point by stabbing himself in a part of his thigh which doesn’t feel pain and explains why humans a different concept of pain, ending with how pain and pleasure is felt by humans as opposed to animals. Moreau also divulges how he no longer felt empathy, wanting only to understand the malleability of the human reaction. He then goes on to list a couple of his creations which didn’t turn out well or last long in the living after he’d changed them. Then he had his first minor success with a gorilla whom he’d eventually introduced to the Kanakas who lived in the huts on the island and were intimidated by Moreau’s pastime, but when they realized the changed gorilla wasn’t a threat, they began to teach it more human knowledge until one day a couple of the Kanakas were teasing the gorilla-man and it’s first nature came out and it climbed into a tree, where Moreau saw them and berated the gorilla-man for reacting so. We then learn what had happened to the Kanakas who were no longer living on the island and how the last of them was killed by another creation of Moreau’s, a creature unfinished and taking whatever life it ran into. Now Moreau is unrelenting in his goal of making a creature as close to human as possible, believing the puma to be his breakthrough. He also mentions how the creatures he’s turned loose are released from his efforts due to their not living up to his ideal of humanity for them, but how Montgomery has taken some interest in a few and even getting them to work for them. The other creatures though, Moreau realizes they’ve made some fashion of a religion or law, but doesn’t see it as a viable human characteristic. They end their conversation for sleep soon after and Prendick is exhausted by all he’s learned, locking his room and soon sleeping.

Prendick awakens early to check his room to be sure he was locked in from every possible entrance than he is brought breakfast by a creature now known as M’ling, Montgomery following after, Moreau being too busy with the puma to join them. Prendick asks about the Beast People’s inability to harm both Moreau and Montgomery, it being a part of Moreau’s surgery and hypnotism they are unable to go against the teachings they try so hard to uphold. Prendick then learns more about the characteristics of the island which moves on to how many of Moreau’s creations currently inhabited the modest surroundings which is followed by a slightly more detailed account of the creatures attributes, not being able to go too far into depiction since every creature varied in its body type, but also due to Prendick’s lack of practice and eye for the process.

Prendick then describes of being a scattered writer and losing his point, moving on to Montgomery showing him where he’d run through the boiling waters the day before. They then begin to run into the larger of Moreau’s creatures, catching a small one which was similar to a rabbit, Prendick noting it could fit into a park of society to replace the rabbits who dwelt there. They then saw the Satyr and Apeman who both passed and regarded Montgomery with respect as they strolled by, Montgomery commanding them they needed to start respecting Prendick the same, the two conversed with each other remembering how he’d acted unlike either Montgomery or Moreau the day before when he’d been chased by them into the ocean, but Montgomery maintains they must do so irrespectively, the two creatures then considering Prendick had five-fingers like the Apeman, Montgomery and Prendick moving on until Montgomery notices a torn apart rabbit, being disturbed by this sight Prendick offers he’d seen a similar sight when he’d arrived on the island and was followed by a creature whom sucked water. Montgomery continues to be affected by this knowledge and decides to confess to Moreau of what they’d seen, coupled with the remembering of teaching their servant how to skin a rabbit for Montgomery’s meal, Moreau takes this news seriously and thinks of a way to prove the creature he believed had done it could be shown as evident.

At noon Prendick, Montgomery, Moreau, and M’ling  go into the forest so they could have a meeting amongst the Beast People, Moreau blowing upon a horn to call them. As the large group of creatures joined where the four were standing, they grovelling their way closer, Moreau notes four were missing and were late in coming to them, the Leopard Man trying to sneak up behind Moreau, but when they arrive, Moreau makes them all speak the Law until reaching the one he wanted to speak of, halting their chant. All the creatures chanted what happens to who breaks the Law, which was to “go back to the House of Pain”, so the Leopard Man, who Moreau knew was the culprit, leapt up and attacked Moreau which ended with Moreau firing his gun. The Leopard Man escapes, running off with everyone pursuing him, it becoming a longer chase as Moreau deduces the Leopard Man had begun running on all fours. As they get closer in capturing the Leopard Man, Prendick realizes and begins to pity the Leopard Man’s situation, he knowing he’ll be going back to a place of torture if captured and Prendick knowing the poor creature was following his animal instincts and so Prendick puts him out of his misery. When Moreau sees this he commands the other Beast People to carry the body to the sea, Prendick apologizing for his hastiness, but actually not feeling badly at all. Prendick concludes his fear for the Beast People then turned into a fear of Moreau due to his inexplicable reasoning for continuing to do his “work”. Prendick then considers elaborating more on the subject.

Prendick had stayed for around two months before all he could feel toward Moreau’s experiments were negative in nature. By this point he also had a falling out with Montgomery due to his affinity for the Beast People and then we hear of a terrible catastrophe which tainted his viewpoint of his environs. Prendick describes the circumstances before the calamity started, he divulging of it being early in the morning and being awoken by a trio of Beast People transporting wood. Moreau then comes out and greets Prendick on his way to his “torture room” and after entering, hearing the puma start to scream again. Not long after, Prendick is confronted with a terrible sight as the puma came straight at him and during his fall, breaks his arm, staying collapsed as Moreau doesn’t stop to help him, but hurries after the puma which was quickly escaping. Montgomery then comes out at first not noticing Prendick being hurt, since he’d found a way to gain his footing again, but soon realizes how Prendick is holding his arm, then binding it and leaving a revolver for Prendick since he planned on going after Moreau in case he needed his help. Prendick is left at the enclosure until late in the day when Montgomery returns, too out of breath to describe what has happened so far, asking for a drink. When he’d caught his breath he began to relay his story of not discovering Moreau, but a trail of blood up until reaching rocky ground, then being joined up by M’ling and soon after seeing a couple of Beast People acting oddly, then deciding to check the huts. Upon reaching them he sees two Swine People who had blood-stained mouths and acting charged up after which they attacked Montgomery, he shooting one and M’ling taking down the other. After running into one more Beast person, they both head back to the enclosure, Prendick asking what this meant and Montgomery not being able to answer.

When Montgomery continued to do nothing constructive, Prendick convinces him after they’ve eaten, to go and look for Moreau again since he wouldn’t have stayed missing this long without some kind of tragedy befalling him. As they begin walking through the forest M’ling is first to hear others approaching and when the other two stop, they all hear what they’re saying, but Montgomery interrupts them and so the group quiets and the three show themselves. Montgomery is also first to ask if what they were saying was true, no one speaking at first for guilt, but then confirming their words, asking Prendick’s group if the Law would still be valid. Prendick then takes over by confirming it would be and the belief they thought Moreau was dead a mistake, making them believe he was elsewhere and still watched over them. The Beast People were then told to lead them to Moreau’s body and upon seeing it, they are helped to bring the body back to the enclosure and Montgomery with Prendick, put the rest of his experiments out of their miseries, M’ling going off with the Beast People.

After the dirty work was complete, they washed off and sat down in Prendick’s room to figure out what they would do next, Prendick realizing how deeply ingrained with Moreau’s philosophies Montgomery was. Prendick tried to come up with a way of dealing with Moreau’s body, what would become of the both of them and what they would do about the rest of the Beast People, Montgomery getting exasperated and demanding Prendick have a drink, he declining, Montgomery drinking alone and wondering what he would do with his life, feeling he was an outcast amongst “normal” society by this time. Montgomery then remembered how well M’ling treated him and decided he wanted to give him a drink, Prendick trying to stop him since M’ling was still an animal, but Montgomery had become ornery and loud, deciding to do what he wanted. Montgomery goes out, calling for M’ling and when he comes with some others, Montgomery gives him the bottle and jogs off, the others following, soon he leading them in an insulting song against Prendick.

After this, Prendick retreats back indoors and begins contemplating what he’ll do next. He comes up with a plan for himself, believing it was too late to save Montgomery, then after an hour he hears Montgomery and company making noise outside near the beach. He doesn’t give this notice and continues searching for items he would need for his sail the next day, but then he hears a gunshot go off with a ruckus of voices before, he deciding to investigate. What Prendick had been hearing was a massacre with Montgomery in the middle of it, a few of the Beast People being victims, as well and the rest running off when Prendick is seen. Montgomery is badly injured, Prendick making him comfortable before checking on another Beast creature which Prendick had to put down. He then realizes the enclosure was on fire and he had caused it, noticing also his only way off the island was gone along with any useful items he was planning on taking with him from inside the house. As dawn approached and any survivors of this unseen attack died, a few Beast People come out of the woods and approach Prendick, not seeming friendly.

Prendick masks his fear of their coming by using Moreau’s way of dealing with the Beast People, making them bow to him and reminding them of the Law. Once Prendick realized they would listen to him, he commanded them to take the bodies and dispose of them by sea, which they did, Prendick then being approached by a Hyena-Swine Man. He tries to command this Beast Man to bow down as well, but the Hyena-Swine asks why he should, so Prendick shoots to kill, but misses and the Beast Man runs off, Prendick not wanting to risk another shot and missing again. He dismisses the Beast People and wanders off to think of what he will do now he had no safe place to rest. Prendick continues to contemplate his fate, wandering back across the beach when he’s approached by a lone Beast creature he’d commanded over earlier, but was so paranoid of it turning on him, draws his weapon until he is certain the creature won’t attack, but demanding the beast leave him alone, he resisting Prendick’s request at first, until Prendick threatens to throw a stone at him, finally leaving him. As the day grew hotter, Prendick approaches some Beast people basking in the sun on the beach, expressing to them of his hunger, one of them responding their was some food in the huts, Prendick goes off and eats some of the fruit, then erecting a small barricade which would serve noisily enough to allow Prendick enough time to defend himself if need be, then drowsing sleepily after being up twenty-four and some odd hours.

When Prendick awakes, he hears Beast People outside and his barricade gone, but his gun still in his possession. He then realizes there is something lying next to him and reacts repulsively until he figures out it’s the creature he’d turned away the day before, also figuring if this creature was acting so loyal to him, then he’d be safe enough amongst the other creatures. The Dog creature seemed satisfied Prendick planned on killing all the others who no longer believed there to be a master and Prendick confirms this whilst also relating to him whomever he chose to be spared, would be, but the Dog creature seemed happy they’d all be punished in general. When they exit the hut and walk among the Beast People, the Ape Man chittering of the House of Pain being gone and the Master no longer there, as well, Prendick startles them all by revealing of their being wrong of this, the Master being unseen and the House of Pain returning, so all of those who didn’t abide the Law would regret it. He continues to confirm these “facts” as the Beast People aired their doubts, soon convincing many of it being true and the others at least to be wary of it’s truth. All then leave, heading towards the ravine as the sun fell which began Prendick’s next ten months among the Beast People, some warming up to him whilst others going about their business, Prendick consistently being careful of the Hyena-Swine sneak-attacking him, also sensing he’d gone mad with blood-lust and was impossible to catch for scenting Prendick’s approach to his lair.

Then as time passed, the Beast People begin losing their Human-isms and reverting to their animalistic state. Prendick found himself then spending more alone time at the site of the burnt down enclosure of Moreau’s, it being safest if he wanted the Beast People to stay away from him. Then as more time passed, the Beast People’s surgeries began wearing off in small ways, showing more signs of their animal side, but not fully ever being “normal”, since two animals were blended together and even Prendick began looking oddly and still maintained the hyper-alertness in his eyes even after escaping the island. As the year passed, Prendick would see few ships sailing by, but when he did, had a bonfire ready to light, but most of those who passed were aware of the island’s reputation for volcanic eruptions so ignored Prendick’s sign of life and when Prendick then was ready to try and make a raft, realized he had no rope or anything similar to bind wood together, feeling clumsy, but since healed felt dismayed at his impuissance. At one point he succeeds in putting something together, but it falls apart before he can set it off at sea, he feeling quite down about his short-comings as a carpenter.

One day, the sloth creature had woken Prendick, well past being able to speak by this point, it makes noises implying for Prendick to follow him and when reaching the trees notices the Swine-Hyena had killed his Dog creature and was still reveling in the flesh. When the creature noticed him and didn’t run in fear, but only growled with threat, Prendick whips out his gun, the creature springing at him as he fires, Prendick succeeding with his aim this time, but also aware if the Swine-Hyena was confident to attack him, more would come. Now the Beast creatures had fully lost their Humanity, Prendick considered how he would’ve gotten rid of them, but he didn’t have enough cartridges for his guns and didn’t want to set all his luck on traps. Prendick then tries to make another raft, but realizes he had no way of transporting water on it until he had a day of rapture. He sees a sail and immediately sets his fire, not knowing until the next day whether the little ship had seen him, but then realizing they were getting closer, even though the ship seemed to shift oddly in opposition to the wind. Prendick tries to get their attention, but is ignored, the schooner getting closer to shore, then Prendick realizes why he wasn’t noticed, the two men inside being no longer of this world. He dumps the bodies and some of the Beast creatures come to figure out what he’s up to. Prendick boards the little boat and aims it toward a different area of the island so he could fill the barrel within with water, catches some rabbits and gathers some fruit for his trip.

Prendick stays at sea three days and nights, reflecting on all he’d gone through and not missing the company of men. He is found on the third day by a decent sized vessel and when he tries to relate his story to the Captain and first-mate, being met with signs of he being crazy, he from then on keeps his story to himself, feeling as ostracized as he’d felt on the island with the Beast People. He also maintained a fear of people soon reverting to an animal state, but a mental specialist who’d known Moreau helped Prendick with these thoughts. He then mentions after his fear would come and go, he knowing people weren’t going to regress into an animal, but after wanting to live in a place of solitude. After a short sojourn in the city of England, he finally escapes the oppressiveness by locating a spot in the country, studying and experimenting in chemistry and studying astronomy on clear nights, Prendick feeling a peace of mind and ends his narrative. An oddly satisfying read; dark, but exciting.

America (The Book) & I Am America (And So Can You!)

Preface to my short blurb review: I read this well before The People’s History of the United States, and this book is meant to be a humorous overview of what every American typically knows of history and politics, so I’m still glad I read this and would still read more from Stewart in the future because of his smart, funny take on politics; same goes for Colbert.

This is very similar to a history textbook, with a subtle side of The Daily Show humor. Entertaining, but definitely not meant to be read in one sitting. Enjoyable way to read about American history.

When I started this book, I thought, ‘I like Colbert, I’m going to try it.’ At first it was kind of slow going, but once I got a few pages in, I started to understand the humor. There are so many side notes that I found it hard to want to read all of it, but once I got past the thought, I realized how funny this book was. He also talks about his personal life along with childhood pictures and more of the like, but not enough to digress from his main point. I’m looking forward to reading more of Colbert and Stewart if more becomes available.

The Tin Drum

I got this edition from the library so I only decided to read the first story, The Tin Drum and the third, but due to the due date and subsequent move out of the city of “Hell’s” Angels, I’ll have to wait to continue to the third. This story, however starts with Oskar, who’s interested in writing his thoughts down on paper and resides in a mental institution. He has periodic visitors, among them a lawyer and Bruno whom he refers to as his keeper; the latter brings him reams of “virgin” paper whenever he runs out. He then begins to share a story about his grandmother, which is when it feels like the story truly begins. (This is also where I’m noticing if I continue to read German novels it might be in my interest to look for the Polish authors, since so far I’m distinguishing this text more easily read and less depressing than more Germanic writers are. I also learned this is where Alice Cooper got his inspiration for his out-of-school song. It’s so blatantly similar I was surprised to recognize it so nonchalantly mentioned near the beginning of the book.) Oskar is precocious and quick for his age, which is shown throughout; it’s mentioned he’s a Virgo and shows the personality traits of one, also with the large ego of being even more clever than everyone around him, he plays dumb so a neighbor will teach him to read (since he blew his one and only chance to be taught at school; ignorant rigidity of the teachers of the era).

Once truly in the story, it’s easy to delve into Grass’ world; or so I believed, soon changed. Oskar starts to become something of a super-hero with his precision glass cutting scream with a side of mischief making and also with his drum sabotaging anything instrument-related he discovers within stomping distance, but there’s bits which are quite dull to get through and I identify myself plodding difficultly. Although after a rough patch, I read an article which made me stick with it. I’ve now made the connection between Grass and John Irving. They’re both clinical in their descriptions at times, sexual in a backward interest topic, and extremely vivid. (It’s also quite like a reverse Benjamin Button, but only if I want to stretch the analogy as far as it can go. But once I plodded ever vigilant to getting finished with this book, I realized how obsessed Oskar was with his mother; it was a nice realization once it dawned on me, which made him protective of her. Although once I was 124 page’s deep, it made perfect sense why he would be allowed this odd relationship with her, since he ended up suffering far more due to the unfortunate circumstances which occur to them).

Oskar befriends Herbert Truczinski when he is around 14 because Herbert has a plentiful amount of scars with “back” stories; Ha-ha. He is an old friend who influenced Oskar. (Later on Oskar’s Western Astrological sign is mentioned yet again, for personality quirk purposes, I suppose.) It describes, in some detail, many streets and stores in the city, and then gets much more interesting. He convinces Herbert Truczinski to buy him a ticket to accompany him, since Oskar still looked so young he was able to get in for the kid’s price. The only problem and good thing about this book, is it’s detailed structuring. (Sometimes it’s wonderful, other times it drags on and I need frequent breaks. This is like the German Les Miserables. And I believe I enjoyed Hugo over this by a bit. And then it shifts again and I realize I’m enjoying the story.) It is a book with waves of good and tired bits.

Oskar then discloses of keeping a book of all his drums and their “careers” since 1949 (the list-taking is a Virgo thing for sure, I can relate, and know many who do, as well.) Oskar also deals with a point where he had to question who his father was. Which was entertaining to figure out. (This is also the only book I’ve read so far which could make a card game called skat, let alone any card game, sound exciting and maintain it’s feel of camaraderie. I’m also realizing I’m relating to Oskar having to begrudgingly take command of the situation whilst under the stress of being bombed and keeping up a game of skat with his Uncle/Father and dying postal worker and staying calm and keeping Jan focused and the postal worker moving so he doesn’t literally lay down and die.) The end of the story is a grim one, but fascinating none-the-less.

Then, once I start thinking this is beginning to sound Don Quixote-like, lo and behold, he’s referenced not too long after my thought. Also Maria sure does become a good friend to him in the way of drums for awhile. Which was satisfying in a small way, but then to learn she eventually becomes Oskar’s first love when he’s almost 16 feels awkward, but doesn’t linger; instead, it’s more embarrassing for Oskar, since he allows himself to be treated like a small child still, but doesn’t consider changing since he knows how to work adults more easily in his current state. (Due to many of the course sexual references, I keep wondering why I’m continuing the story: it’s well written, descriptive, imaginative, also Grass shares a birthday with Oscar Wilde, which I believe foretelling since I read Wilde’s complete works and it may be the qualities which are helping me stick with this: those being listed above.) Although, Oskar’s introduction to oral is quite surprising and amusing, but also odd since the reader has to catch the metaphor. Any 15-year-old would hate to remember or at least truthfully divulge a story like this, but he does “get lucky” in a lucky way.

Grass, through Oskar also makes known something which should become a more known disgust if not fret of men. Oskar says at one point he despises how his downstairs takes over at the most bewildering of times, with no rhyme or reason. There are also many strange and sexually ambiguous characters whom are thoroughly explored. Some are more fascinating and easier to read than others, but they are all well-written and the ones who emote a sense of respect towards one another and pure friendships bloom because they are good, but some are troubled more than others, as well. Oskar becomes more desperate after meeting Maria and she becomes a more constant presence in his life, until she decides a different path and he’s surprised by what she does and doesn’t do in this time in their lives apart. Oskar has some strange fantasies about his family revolving around his grandmother’s skirts. Oskar gains a crew when he is followed and then shows them his breaking windows talent. The leader takes him in as one of them, begrudgingly, and Oskar takes the opportunity to make himself seem beatific by introducing himself to them as Jesus. Oskar then becomes the new leader of the youthful gang and proceeds to get them to implement troublesome plans, which he designated out to his crew as he sits back and hears about the wonderful mayhem. Oskar becomes more egotistical, once Lucy starts ruffling his feathers. He at one point sees himself as a, “human unicorn” and the most important of his group, the Dusters. They certainly do undertake some blasphemous missions which Oskar shows mild guilt at the start of the discussion of his Catholicism, but by this point, he’s obviously reached a new more contemptuous viewpoint of what he feels acceptable sacrilege.

It starts to adopt a dark humor I enjoy, in the church during their prank and how one of the Dusters gives a speech so moving, even Oskar has the desired feeling of soul-saving sermonizing. The next episode of Oskar, preludes us with a story of a young man who climbs a high-jump dive-board at a public pool, to see the view, when his buddies put him on the spot whilst everyone’s attention was already being diverted by his climb, from the start. Oskar introduces his similar story with the Dusters, but for them, it’s Lucy who’s a part of a panel of judges who was to encourage the Duster’s to jump. Then she tries and fails to get Oskar to jump, proving one does not have to be conquered by suggestion. Even when Lucy tries her whispering tactic, “Jump, Sweet Jesus, jump.”, doesn’t work, Oskar makes his way back the way he got there. Matzerath is then approached by a court official mysteriously alluding to getting, “the child off the streets.” Calling him gullible and easily swayed by “bad crowds”, essentially. Lucy does become a thought of dread to Oskar since he doesn’t see her again, so when he hears of unexpected visitors at the mental institution, he fears it’ll be her. Oskar still does utilize his size and his ability to act toddler-like to get him out of trouble, if he can. Even though by this time he should be around eighteen or nineteen years old. (I must remind myself he wouldn’t necessarily have found maturity at his age since he became counter-obsessively using his “baby” act for so long.) Oskar has also kept his respect for Goethe and Rasputin since his first discovering and learning to read by them so long ago. Oskar usually feels the need to show off his talent to those who show talent themselves or to help others through his talent. He liked pretending he didn’t care, out of arrogance and ego, (in line with what I would expect) which doesn’t change through his childhood or young adulthood.

Matzerath’s cellar is shown, along with the rest of the family, plus Oskar to await the invading Russians with devastating results. The next bit gives background on the city name and who pillaged it. It goes on about the history of how battles started and how the people tried to defend their homes. The Russians are still about, so Oskar and the family stay hiding in the cellar, to wait. The man who takes over the grocery story helps the family deal with some hard tasks Lina Greff would have done, if not for her hosting a houseful of Russian soldiers. They move in to Mother Trucszinski’s flat. (Then I learn Matzerath hates margarine as much as I hate it, today!) Similarities throughout the ages. Also something similar is how the newly adult military “kids”, goof off during their tours. These Russians take what now is considered one of the world’s most beloved pastimes and wheeled transportation, free-style bicycling with items taken from homes and jumping ramps off them and using bathtubs, grandfather clocks and radios, among other items, doing stunts. Meanwhile Oskar is studying Fajngold the grocer to see if he can deduce what he’s contemplating. Whilst trying to get where they’re going, they accrue two young Russian cadets with tommy guns to escort them wherever they’re going and they make their unwanted presence known by their obvious clumsy inexperience trying to cover it up with silent, serious exteriors. How serious would you take a sixteen year old? Exactly.

Oskar starts feeling cheated by not having the shop go to him and only having Kurt and Maria to show for his years with his family. Their goal of destination is shared, and they continue on foot due to the obstacles being too large to get to where they needed with whom they had in tow. Kurt doesn’t change, his brandished reckless violence making him easy to see him as an expendable brat. No one is beyond Kurt’s abuse, but in this section, he goes after a caged lovebird. Oskar has come to a life-changing decision near the same time his son, Kurt does. A long coming confession from Oskar regarding the Party pin Matzarath almost got caught having in his possession is also confessed. Oskar’s main memorable moments of Matzarath being about his cooking and nothing so sentimental as his possible paternity. He lets his last Bebra-bought drum symbolize his farewell to Matzarath. Oskar believes the nosebleed which follows is the start of his growth. Shugger confirms this when reacting with fear as Oskar faints out the end of the scene,ths also when Oskar’s height is learned. Also, by this time it’s determine he’s older than 21 and he was only three feet by then. A reiteration of the cemetery and Heilandt’s strange reaction to Oskar’s growth spurt is gone over. He also tries to forgive his son his violent act against him by trying to believe he did it to help him accelerate his growth, so Oskar would finally get some acknowledgement from Kurt he is his father. Doctors also come up with a physical explanation for Oskar’s stop and then spurt of growth later, which Oskar doesn’t believe at all. His thinking was, he had started growing and stopped after, and before the physical “traumas” occurred.

When Oskar becomes ill due to his sudden growth a lady doctor is found, and he appreciates her upfront and terse countenance, which I can relate to, Grass was thorough in at least his astrological and most likely his geographical knowledge. I also learned more about the characters of Rasputin and Goethe both of which I haven’t read or done much research on, but soon enough, I will be. Fajngold realizes his family plus Maria and the children (Oskar included) were infested with lice where the explanation goes on with Oskar feeling more relief whilst his illness when Fajngold disinfected everyone putting him completely at ease. (It then mentions a concentration camp story involving Fajngold, which is engaging, but I’m indifferent to, since I’ve sworn off reading Holocaust related materials due to the overabundance of reading them in school.) Oskar’s illness continues to recede and flare through the spring. Fajngold changes the grocery store’s merchandise and Kurt becomes a prolific salesman at the age of 5. They get a visit from Oskar’s Grandmother where Fajngold and she swap stories. After, Maria decides to go live with her sister. Mr. Fajngold bids them farewell and Oskar uses a way of seeing the world which has become easy to adopt and quite calming to apply: He says, Fajngold waves them goodbye from the train station until he no longer exists. I use the same concept, depending on mental faculties and if the person has done everything in their power to combat it, if they haven’t I don’t consider them “real” and don’t necessarily give them the deserved normal courtesies all “healthy-minded” individuals worked at receiving through normal means.

The next section is told by Oskar’s nurse, Bruno, of when Oskar and family are on the train and it keeps being stopped by gangsters and such and when Oskar showed a picture of his Grandmother, it saves their belongings from being stolen for an odd reason, which is why I bring it up at all. Oskar also attributes his growth, lengthwise and of his, ahem, nethers, were aided by the jiggling and jolting of the tracks, also relieving the constant pain so much growing gives, another funny observation. He also lost the ability of breaking glass with his voice on this trip. After getting Oskar to a hospital, Maria gets him transferred closer to where her sister lives. By the close of this part, Bruno finishes his writing and a full description of Oskar’s person and also a mysterious charge Oskar was put in to the hospital for in the first place, is mentioned finally. Oskar continues saying he doesn’t even bother reading what Bruno wrote. He than says he’s grown another inch and was released from the hospital. He then goes to Maria’s sister Guste’s house to discover Maria dealing black market synthetic honey and Kurt begins a business venture of his own, even having a mysterious source which irritates Oskar for not knowing whom it could be. Oskar reiterates Bruno’s description of himself and what his view is toward himself: handsome, despite his hump which now developed on his back.

Oskar applies an everyday exercise I use, except he conceives it, perhaps more “fun” to label, in this case, happiness according to various types of stone since he was able to acquire a job helping a tombstone engraver, similar to Simon Birch now I think of it. Possible tsk-tsk on John Irving?Anyways, they both get fitted for suits and Oskar pulls off a demonic intellectual look whilst Korneff, his employer, who has boils all over his neck looked quite impressive as well. Oskar was feeling lucky, so he decides to ask Gertrude, a nurse from the hospital he stalks once in a while and they go out to dance. Oskar was going to back out of the date if he could when he realized Gertrude is normal looking outside her uniform, but doesn’t get the chance, so when they get to the dance hall, they wait a bit to get settled and then Oskar asks Gertrude for a dance, which is hesitantly accepted. The completion of the dance has everyone clapping to them and Gertrude becomes embarrassed and excuses herself. The night gets more eventful when he meets two young telephone-operators, one of which asks Oskar to dance. Gertrude isn’t seen again, other than the hospital. Oskar then talks of the headstones he’s carved and where they were put. He witnesses a woman’s exhumation and when he tries to help the diggers (since he had his spade handy) he shovels some of the woman’s corpse fingers and notices their beauty, oddly. Oskar spirals his conversational thoughts to himself until ending up acknowledging he may have hallucinated Lucy Rennwand when he thought he saw her on the train.

Oskar decides to move on from his telephone girls and their connections in favor of taking Maria out and recognizing he’s been responsible for Maria and Kurt’s financial well-being for over a month already and how he was in preference of this, also being told it was partly due to Kurt’s connection drying up. He proposes to Maria and gets strung along until she locates the scissors to finally cut Oskar’s hope of typical family living loose. Oskar mopes about his declined proposal, thinking it would have led to his career as a stonecutter being expanded etc., but because of the plan not working, now he must capitalize off his hump instead. He also spent his time sitting in the park for long periods and letting his appearance go, naturally. On one of his sittings he’s approached by a girl at the behest of her companions to uncover a model to paint. Oskar took to the offer seemingly readily, but he soon realizes being sketched may not mean it coming out flatteringly. He isn’t bother by this for long, since Oskar keeps an aloof exterior, and is soon offered a position to pose nude for the instructor who sketched and molded Oskar’s form in clay. They bonded over their previous careers and Oskar continues to pose for the students on the side. As he advances forth to posing, he becomes something of a hidden gem, until the painters on the floor above discover him and see what the sculptors have been studying and Oskar poses for them also, which seems to satisfy his obsession with wanting his blue eyes to be accounted for, but like the others, the students use blue for most of him, (which reminds me of Sacré Bleu) which describes the reason of some painters obsession and fascination with it.

Oskar decides to join in what is known as carnival week where his costumes makes Kurt laugh so hard he can’t stop coughing. His costume didn’t have the same effect on the carni-revelers, though, but he makes it to the party, where the artists try to sell food and whatnot rather than actually partying. Oskar makes acquaintances with two Chinese lesbians, interestingly and they “make use” of his hump in a way which gives him confirmation of his hump being lucky for women. His companionship with them and the champagne turns him introspective, though and he contemplates the meaning of life. After, he is asked for a cigarette from an old acquaintance, meanwhile being captivated by the soldier acquaintance’s young, drunk date while reminiscing. The girl’s name immediately reminds me of Wonder Boys since they share the name Ulla. Michael Douglas’ character says, “I never forget an Ulla.” Which apparently helped me not to forget either. Oskar decides to help Ulla in her want to becoming an artist which makes Lankes happy. They all retire at Lankes’ place and Oskar gets a chance to be closer to Ulla; the horn dog. When Ulla confesses to them of not wanting to be a muse to artists, but only wanting to “belong” to Lankes, he institutes the usual acceptable response to women in those days and she accepted being a model to the academy, with the help of Oskar. For a “young girl” she is of model-esque height and Oskar and she become the popular duo with the title of Madonna 49, where Oskar poses as a broken Jesus. Maria is upset by the poster which is made of them, but it does get sold for a generous sum and Oskar and Ulla become a popular modeling team. Ulla doesn’t escape Lankes’ wrath, though, since he seemed to be of the malevolent nature he had shown from the start. Oskar also developed these feelings toward Ulla, oddly, but instead of succumbing to assault, he treated her to going out, either to a pastry shop or to buy her small gifts.

One of the artists had a more intimate relationship with Ulla, later described by getting her in a certain position and doing a similar act as those of porn-buffers without having to touch her; ha-HA. Oskar was used to being made to have some object put in his hands to offset Ulla and eventually he brings the one object Oskar had no desire to hold and he says so. Ulla convinces him otherwise, with much distress on Oskar’s side. Maria sees this version of the Madonna 49 and cracks Oskar with his son’s school ruler. She believed it was vulgar and felt above him due to her upstanding position in a delicatessen, she wanting nothing more to do with Oskar. She takes it back, but Oskar didn’t want to continue living with his son and her sister. Maria agreed and offered Oskar to look for a place not far from them, which he seemed to agree to. Oskar stays with the Academy of Arts to be painted and drawn for the winter through the next summer and has no trouble admitting his own foolishness, identifying with Parsifal, a fool also. Besides, he visits Korneff the stone-cutter once again and ends up being offered some part-time work on top of posing as a model due to rent being raised.

After starting a carving and finishing in 3 hours, Oskar’s paid and goes to look at an apartment, which he accepts and learns a nurse, among other tenants share Zeidler’s home. Then sufficient description of the abode and Oskar witnessing a spat between Zeidler and his wife. Zeidler’s outburst resulted in him breaking and cleaning up a glass which made Oskar remember his glass shattering days, minus the clean-up after. Before Oskar takes his leave of them to go to his room he demonstrates some acrobatic moves to show how healthy he is since Zeidler asked how he stayed so small and also about whether he still played the drum attached to his suitcase which he didn’t care whether he did due to his absence from the house on most occasions, which didn’t impress upon Oskar since he played little, if at all. Oskar begins to think of the nurse which he admits is an obsession he can’t and doesn’t want to give up on. Bruno believes only men make proper nurses since they give particular care and sometimes are cured whilst women have the ability to seduce the patient sometimes to recovery and sometimes through “seasoned” erotic death.

Oskar won’t let Bruno’s view mar his of lady nurses though, due to being saved by them every few years. Oskar believed Bruno’s opinion was a professional jealousy. He then lists all the nurses he’s loved and been saved by through the years until the one he’s rooming with is related. He explaining having to take a bus which brings him straight to the stop which picks up nurses and it’s the same as his own and at first he acts with distaste to them, but than hunts them, essentially for their smell coming off the uniforms. He begins noticing them pass him at work which costs him an indiscriminate amount of money. After, Sister Dorothea, the nurse rooming next door begins to catch Oskar’s attention more by her noise of coming and going. He also has a tendency to check the door whenever he hears her and when the mail comes, he would take special interest in what she received. Obsessive little Oskar even has an inventive fantasy involving becoming a physician to be closer to Dorothea. Oskar goes on to say how his whole life wasn’t completely overrun by nurses and how he had to stop inscribing tombstones once the summer semester started at the Art Academy. He teamed up with Ulla once more and they both made good wages from modelling. Lankes has left Ulla to which she easily forgot by immersing herself in the art of Meitel; she believes her relationships will be long-lasting and serious. She did learn one thing stuck from him and their engagement, which was an extended vocabulary which she tested on Oskar, after which another artist began collaborating ideas of Oskar’s which eventually included the addition of a nurse being portrayed by Ulla.

One day though, Oskar tries Dorothea’s door, which is unlocked and he decides a bit of breaking and entering is in order since half the job was already done (her room was unlocked already). The room is described in a dilapidated way and Oskar identifies the smell he’s been noticing is vinegar and then wonders if perhaps she’s been having to use her meager sink to wash her hair with said liquid considering she may not have been able to use the more pleasant accommodations of the hospital bathroom facilities. He then discovers her hair color and she might be losing her hair to which, in his blind love of her, he wants to help her with by supplying her with some hair treatments as soon as he can. Then he takes some of her hair from a comb and stores it in his wallet, removing what was in there to make room. After slight examination of her bed he decides to give in to the temptation of curiosity to look in her cupboard. Oskar deduces even more about Dorothea from the cupboard which fascinated Oskar, making judgments about the articles she did have and the amount of importance she must have had of them. Oskar then becomes intrigued by the type of books she stored in her hat compartment. He wanted so much to become a part of her cupboard area, he moved into an area which fit him perfectly and closed the doors most of the way shut. An item he discovers in the cupboard behind his back brings a reminiscence to him of his mother, Jan Bronski, and Matzerath when he was three. Dorothea’s belt reminded him of an eel from his memory. Oskar’s recollection expands to eclectic thoughts of his mother, which ranged from her singing a particular song to how she would gorge herself on a particular foodstuff until she couldn’t divulge in it any longer, to her graveyard of choice. Then it’s alluded he may have masturbated and smudged the belt to the point of needing to buff it to make it look like it did, before leaving her room. Cheese and crackers, nasty little Oskar.

Oskar becomes quite interested in learning who a Dr. Werner was to Dorothea and searched her books for an inscription or picture and found neither, which pleased him since he seemed to have the upper hand in personal details about Dorothea. Meanwhile another tenant, Mr. Munzer seemed to want to get Oskar’s attention to which Oskar failed to notice nor care due to being consumed with Dorothea, but he did feel a little guilty after, since talk with Mr. Munzer would at least break the lonesome monotony. After a few days past, he continued his modelling with Ulla and they posed as different Greek mythological gods and demigods. Not long after, he was getting the mail and noticed a letter from Dr. Werner and Mrs. Zeidler set it at her door and Oskar bided his time calmly and then boiled some water to steam the letter into opening, the little blighter. He learned Dr. Werner did have feelings for Dorothea even though his letter was extremely conservative in intimate details. When finished he reseals it and leaves the letter where he found it, then hears Mr. Munzer speaking to him from the other end of the hall asking for water. Oskar makes an excuse for himself to comply with the request since he didn’t think it right to do it because he asked unless he were ill. Mr. Munzer or Klepp as Oskar began to know him as, had such a pungent aroma, from his first moment well into the times he would come to visit Oskar in the hospital which Bruno would open every available window once he left (similar to a character in Kingdom, another Stephen Fry TV show). Klepp, at the time of his bedridden-ness had taken to pissing in empty beer bottles; his living in filth is quite extensive. Oskar, at the time, introduced himself as Matzerath for some reason, since he was feeling humiliated at the moment. Only on rare occasions did he use the name Bronki, usually using his Grandma’s name Kojaiczek or by his first name. Klepp looked older, but proved younger than thirty.

Oskar then is told by Klepp of he believing in destiny, but doesn’t believe everyone may be born for a reason since he was certain he was born by mistake. He also discerns the length of Klepp’s stay thus far at Zeidler’s. They agreed it was a shame they hadn’t met sooner and blamed him for not mentioning it sooner. Oskar then learns the reason for Klepp’s being bed-ridden is because he’s determining the state of his health…(Okay). Then Oskar shares a pot of spaghetti which would make anyone pause, if not throw away all set before him and run to the nearest five star Italian restaurant, but Oskar, bless his heart, first stared and then ate it down like a little champ, then to his surprise and my disgust and dubiousness, enjoyed the contents. Oskar and Klepp share their interest as they get to know each other spending their day together, then Oskar decides to pick up his drum once more for Klepp and to Oskar’s surprise and pleasure, Klepp joins him with his flute. After finishing their impromptu jam session, Klepp gets up from bed and washes himself, like a purification process, then they congratulate each other warmly, for their musical moment was to them, like a resurrection. Klepp’s new lease on life had everything to do with Oskar deciding to team up in his jazz band idea. He bacame a new man, but because of this, Oskar believes Klepp is trying to do the same for him, to get him out of his mental hospital bed, because he had “deprived” him of staying in his own. Oskar is then mentioned to possibly not being in his bed on his own recognizance, but also because it was court-appointed and so Klepp, besides his futile attempts of convincing Oskar out of bed, also petitions the court, all because Oskar begrudged Klepp of his own and although they had the two of them in the band, they felt a guitarist was needed and took pictures and enjoyed the movie theater a lot. In the end, Klepp found a wife instead; ha.

Bobby, who led a dance band in a bar would let them play with him sometimes because he got a kick out of Oskar’s drumming even though, he also was a percussionist, despite a finger missing on one hand. Oskar meanwhile, was getting distracted with thoughts of Dorothea during their gigs and so would miss his cue periodically. Klepp would misconstrue these moments as hunger pangs and order sausage. Oskar let him believe this was so as to let him torture himself with thoughts of her independently from Klepp. Oskar had also given up modelling unless with Ulla, who was engaged to Lankes for the Nth time, but only if they needed cash for more movies, otherwise Oskar was dedicated solely to Klepp’s band. He also rarely visited Maria and Kurt since her new husband stayed present.

Klepp and Oskar then had a task of tacking down a fiber carpet-runner for Zeidler so as not to break anymore glasses, so when they finished and tested it, they were in the midst of congratulating themselves, when their doing so put Zeidler in a spiteful tantrum and began breaking glasses. After this Oskar finally meets Sister Dorothea. It was after a late night with Klepp and having left him to continue the search for a guitarist, Oskar goes home with the intention of sleep and failing to do so, comes up with the idea it was due to having stood on the leftover coconut-fiber mat and the stimulation had perked his brain into restless activity. He hears two doors of the front half of the home open and close and decides it’s Klepp, though not believing it at the same time. He resolves to actually stand on the mat since he kept thinking about it, then he uses it to cover his lower half, since he left his pajama’s at Maria’s for washing. He then enters the hallway and aims his trajectory for the toilet, determining one had occupied it already, but didn’t leave since it was the only un-fiberless-carpeted area, to the dismay of the female sitting there already. Oskar tried to make a light bantering response to her scream and cries of him getting out in the hopes of distracting from the awkwardness. She wasn’t having it and tried to push Oskar out, but aimed too high.

When Maria re-aimed lower and felt the fiber she screamed again and thought Oskar an evil entity, which amused Oskar when she asked again who he was. Oskar playfully goes along with her feared presumption and reveals to her he’s Satan, coming for her which makes her ask the reason and Oskar, given the opportunity to confess the truth, replies he’s in love with her, which Sister Dorothea wasn’t about to tolerate and said so. Then when trying to escape, she runs into Oskar and the pelt and his body made her feel faint. She fell and Oskar helped guide her descent onto the carpet outside the toilet. He continues his joke in the hallway and tries to “excite her with the carpet he had used as cover for himself; what a little pervert. Meanwhile Oskar couldn’t get excited himself to his own embarrassment and tried to think of his past exploits to help him along whilst referring to “it” as “Satan”; in this case, suitable, but he couldn’t unearth the feeling. When she felt his skin and humpback, Oskar admitted the truth of his name and feelings for her. She responded with sad tears and left him sitting there and locked herself in her room, rightly so. Then Oskar, still not having given up, goes to her door and scratches at the front whilst hearing what must be her packing up her belongings to leave; sensible lady. Oskar gets this confirmation when she opens the door finally, kicks him aside and leaves, to Oskar’s dismay. He also has woken the Zeidler’s with all the noise and should leave the hallway for his room, but he stays lying there whilst Mr. Zeidler instructs him he should get to his room, and when he stays silent, unmoving, admits to Oskar they should put him out because of his behavior, whilst Mrs. Zeidler giggles until being told to be quiet by her husband who is getting properly rageful, but Oskar is saved by the entrance of drunken Klepp with their equally drunken new guitarist. They pick him up and dress him, then get his drum on him and take him out as he continues to wax woe. They sit on the river Rhine and jam, during which they come up with a name and Oskar treats them all to breakfast.

Oskar and the band liked playing alongside the Rhine so much they befriended a restaurant and nightspot owner through mutual environmental interests. Whilst they played, Schmuh, the owner, “hunted” sparrows. They didn’t start off friendly, though and had met whilst both were occupying space in the area. Schmuh had been annoyed of their playing scaring away the birds whilst Klepp complemented his rhythmic shooting perfectly in time with their music, making Schmuh pleased. Schmuh’s wife thought it would be serendipitous if he employed them at his restaurant and he agreed. Klepp negotiated their salaries to everyone’s satisfaction. The Onion Cellar, was a newer higher class restaurant nightclub which a list of other quirky sounding titles are listed. It was like any dance club one would wait in a line to get into these days. The Onion Cellar was actually at one time a ground-level apartment, so whilst it didn’t have a cellar, the name still suited the place. (Similar to some cafe’s and restaurants in downtown Phoenix , as I’m told and I’m sure, as well as other interesting cities, but couldn’t say off the top of my head.) Anyways, a summary of The Onion Cellar and how artsy and classy it is follows, along with the other restaurants, old and new in the vicinity, the impression being about the reason for The Onion Cellar’s popularity revolving around Schmuh, a shawl and the entertainment he gives and interaction with the guests.

It’s then shared why the place is called The Onion Cellar. (I also found a pairing of food I have yet to try, but am curious about: Onions with apples, and/or onion rings; I like the idea.) Also there’s a second, more “human conditional” reason people flock to The Onion Cellar, a sad and pathetic one, but still a reason we struggle with in this century as well. Meanwhile, Oskar and the band, have their out-of-the-way sitting spot and hear all the people confess here and Oskar goes on to mention a few guests appearances as well as a favorite confessor. Oskar is one strange character himself, suffering abuse from the same person the confessor spoke of. All for love, interestingly enough. Oskar loses both big toenails because of it. Oskar also speaks of a young odd-couple who meet through the train and end up at The Onion Cellar. (It worked out quite well for them, which I believe, the first couple had a good outcome as well.) The band was there to help get the people back to normal and move on for the next group to come in. Quite odd reasons for a band to be hired, but this seems to be Grass’ shtick. Also like certain jobs, the band had a clause forbidding them to use onions how they are used in The Cellar, which suited all of them one way or another: Oskar had his drum to help him, Klepp was backwards and didn’t understand the right time for such emotions, and Scholle was too happy of a person. I can identify with all three, some moments are easier to laugh at, plus a sunny/realistic disposition doesn’t hurt.

Then after Schmuh’s wife gets a hold of an onion whilst with her friends Schmuh is partial to, she confesses terrible habits he had making him give an extra round to the group after his wife and her entourage leave, which makes everyone go crazy to the point of Schmuh asking Oskar to do something since Klepp only found amusement in the debacle and Scholle followed Klepp’s suit. Oskar drums them like the pied-piper to get themselves together, out the door and apparently thinking they’re kindergarten age making them all have a surprising reaction, which stays with them, including Schmuh well after releasing them, leaving them all wet, but not worse for wear.

Schmuh couldn’t forgive Oskar his charade, though since it didn’t include the “power” of his onions. He fired Oskar and the band then goes so far as to hire a fiddler passing for a gypsy, but when complaints and steadfast refusal to continue attendance at The Onion Cellar from regulars, Schmuh had to accept a compromise. It being only to play three times a night with the fiddler playing three as well, plus a raise and tips. It goes well until the day of Schmuh’s death. The Schmuh’s and band had gone on a Rhine outing. On this day Schmuh goes against his 12 cap limit, the dope. When they’re ready to leave, Oskar decides to stay for a walk instead and they go on without him. Oskar takes the same direction and soon sees the Schmuh car overturned with only one serious victim. The reason behind the crash is reminiscent of The Birds, except with sparrows. At Schmuh’s funeral, his widow still in the hospital, Oskar is approached by a doctor who was a guest at The Onion Cellar and present for Oskar’s regression session, wanting to offer him a contract as a solo drumming act to perform large concerts for equally large sums of money. Oskar would have done so if not so shortly after Schmuh’s death and declines until a healthy mental-health vacation is had, to think it over. Oskar does accept an advance along with calling card, though and goes on his trip with Lankes, preferring Klepp, but hospital-bound and also Maria, but she would have had to bring Kurt and they both were still tied to Stenzel. Oskar also wanted to invite Ulla, but Lankes hi-jacked the offer as well as boxing Ulla’s ear for considering going. Oskar was now on vacation with Lankes and they head to Normandy where a taste of how stingy he is being related. He had brought his easel and Oskar his drum along with luggage.

They stayed on the Atlantic Coast and Lankes traded his picture for a fish, which Oskar cleaned and made ready to cook as Lankes found wood and cartons for himself to paint on. Lankes then, needing to make sure he got the best of everything wanted Oskar’s opinion as to which side of the fish was best, Oskar gave him the advice he remembered from both of his parents, which conflicted, and of a doctor which Lankes didn’t trust the advice of, anyways. He does the opposite of the doctor’s advice to be safe, but it didn’t fully satisfy him until not only did Oskar offer him to try his piece, but reassure him his tasted better, after trying his in turn. What a Seinfeld; his mother told an anecdote where he wouldn’t accept a slice, but wanted the whole pie or nothing at all. Then Lankes informs Oskar he ran into Lt. Herzog and how he’s been going to Cabourg for years and would visit them, which he did, surveying the area and then trying to inspect inside their nature-made abode, which Lankes refused to allow him to do. When Herzog wouldn’t take no for an answer, Lankes puts him on his back with fork from fish still in hand. Then Lankes made sure he got the point by dragging him, then tossing him over a dune. Herzog made a quick exit after. When done reminiscing about some nuns Lankes and Oskar had met way back when, some real nuns come walking along the beach, one young, far ahead of the others, which Lankes keeps an eye on from the start. At first she declines the advances and follows the others calling to her, but when the nuns are ready to leave, she makes her way back on pretense of shell-gathering for children and does naughty business with Lankes in their hut. After she leaves to go swimming, Lankes detects inspiration in her being a nun along with titles for the art inspired by her which he makes some success from which prompts Oskar to call up the doctor to do likewise for himself. Klepp was feeling spurned because of Oskar’s growing lack of interest to playing jazz, until he discovers a replacement.

Oskar discloses how he couldn’t consider moving back in with Maria and how he’d occasionally drop by the Academy as a guest model. Ulla, proving to be a ditz or at least in the eyes of Oskar, dropped Lankes again because he kept cheating on her and didn’t beat her any longer; odd. Oskar seemed to be struggling with the idea of calling Dr. Dosch and so tore up his card to realize it was engraven to his memory. He was obsessed with the thought of calling, he finally did and was asked to come in the same day to meet with the boss. When he arrives he’s surprised to see Bebra in an interesting condition. Bebra begins by going through all the terrible acts Oskar’s committed. A contract is then set before him which allowed him to drum in concert and start touring. Though Oskar had the money advanced to him to move, he stayed on for Klepp’s sake who didn’t like Oskar’s official contract dealings, but Oskar didn’t care. When he started his tour, the publicist had made him out to be a faith-healer and so the crowds were drawn to him were of the mid-to later years. Oskar became so popular, a word was made from his name. After his third tour he made a studio album which made him a rich man, but he still didn’t move out of Zeidler’s, because of Klepp and due to the room where Dorothea resided. Oskar decided to proposition Maria with a promise most would consider difficult to refuse: He’d finance her own delicatessen if she didn’t marry Stenzel. She, being a proper business-woman, goes for it and now has two branches.

Oskar then has a nice inheritance given to him after learning Bebra had died many weeks before whilst he was touring. Due to grief, Oskar cancelled some tours without giving sufficient notice and was sued. To make matters worse Klepp had decided to get married and didn’t invite him, then left Zeidler’s, Oskar being the only tenant left. Zeidler had begun to treat Oskar with respect once he became famous. To prevent further depression and/or loneliness, Oskar rents a rottie named Lux and he’d walk him in the hall. They also ended up walking the Rhine where Lux would lead him. Oskar began disliking Lux’s loyalty, even when setting him off the leash, the dog still following and when Oskar kicked him and the dog would run, he’d loyally return, acting guilty. At one point at a rye field, he gets the dog to stay gone for longer and reminisces until noticing, upon Lux’s return he has some object of doggie desire with him. It turned out to be something of human relation and so Oskar took the object with him and then Vittlar, noticing Oskar and dog, compliments the dog. Oskar, not in the mood for conversation with Vittlar asks him why he’s up in a tree, and he responds it’s to do with apples. Oskar gets more annoyed when he’s dragged into an allegorical conversation and Vittlar asks what Lux found in the rye field. He continues to question Oskar until getting to his point, since he had seen more than he’d let on. Oskar, after being properly introduced to Vittlar, called him a friend from then on, even though Vittlar had, after turning him into the police. Then Vittlar’s testimony in court is shared, during which Oskar is described acting oddly with the object found, making stops to drop off Lux and visiting Korneff. Oskar then informed Vittlar of his intentions to keep what was found, giving his reasons.

After ending their day and making arrangements to meet again, they meet up three days later with a surprise for Vittlar from Oskar. Soon it is identifed whom the object belongs. Vittlar goes on to testify the goings on after they had commandeered a streetcar and thus ran into someone about to be executed from Oskar’s past from the post office during the war and the execution was going to take place where Vittlar’s mother lived near the rye field, which both protested. When Oskar drums at the execution though, it puts them off and Vittlar becomes bothered by Oskar’s indifference to success, which Vittlar hadn’t experienced, this being when it’s realized the reason it being Oskar whom was given up to the police and how they still could have stayed friends. Then a jump to present and on Oskar’s 30th birthday, his lawyer gives the news the police reopened the case due to uncovering the real culprit of the crime, to Oskar’s dismay. Now he’ll have to leave his comfy, life-blocking bed, which he’d stayed in for nearly 2 years and contemplated going to America to be with his Grandfather. Then it seems Oskar has the longest elevator ride as he awaits to be arrested and also at present contemplating his future and what to do now he’s thirty. He seems to digress into nervous confusion and being obsessed by running into the black witch and the poem accompanying it. Strange story, vast and not half bad with its winding interlinking characters.